Exotic specimens were once shipped across the world for the purposes of scientific and ‘freakshowcentric’ scrutiny. Their ability to build ‘positive social, educational and economic value’ and ‘generate unprecedented attention…’ catalysed mechanisms that ultimately destroyed (or at the very least deteriorated) their capacity to exist in an indigenous space, place or time. This paper examines the dark side of desirability, the criticality of habitat, and our responsibility to keep the creative beast ‘wild’, as opposed to breeding – if not cloning – it in captivity.
Beauty as the Beast: Creativity, the Exotic and the Dark Side of Desirability
John VELLA
2006 Conference